Tuesday, 24 June 2008

Photo & Map

Header Photo: Trance festival beech. Early, Saturday May 10th
Map: Updated Route Map - click on the link and just see how far i've come, just see!

Saturday, 21 June 2008

Welcome to the Jungle

"It's in the forest, you said you like festivals so you must come"

Uttered Nastia, the night of my arrival in windy Murmansk all those weeks (only weeks?) ago. Initially passing it off as a polite, inclusive, 'say but don't mean' invitation to make me feel at home, forgetting that Russians aren't English, they're Russian. When they say it, they actually mean it. Go figure.

Now, on the eve of my booked departure to Moscow, I was once again buried in Dostoevsky on the surreal beachland outside the Peter & Paul fortress where the old chap was imprisoned at one time. My peace was cut shirt by the thrum of mobile in jean pocket. I peered at my phone, "Mischa! You still in St P?". It was Nastia, I had half forgotten about their return to the old city, confirmed my presence and arranged a meet later.

It was great to see Nastia, Djimka and Katia again after revelling in their warm company during my initial stay in their hero city. We had formed a good bond there and the eve-of-festival buzz that I am so familiar with was tangible. We indulged in a touch of Putinka (guess who it was named after, go on, bet you can't... oh you did) and the invitation was once more extended to me "we have a spare ticket, so it is your destiny".

Needing no second, erm, third invitation I was shortly at the kacca kiosk to exchange my ticket (a fiver from SPB to Moscow, chill out) for one a week later and then set foot on the train to trance-central (one for the KLF fans out there). Aboard the train the high spirits continued whilst I wondered to myself what awaited in the wilderness of the dense Russian forests.

A bottle of warmish pivo was passed idly around as a heady mix of Russian/English banter ensued. More friends joined at the several initial stops and the party was just beginning as the sound of bagpipes filled our ears.

Bagpipes?

Suddenly it dawned that this instrument wasn't so popular in these parts and I turned my head to the sight of kilts and a huge scottish flag swaying at the other end of the carriage.

"Oooooooh Mike you've gotta go and say hello to them"

"Why? I'm not Scottish."

"They don't know that"

They had a point, and a little white lie later I was in the company of the elite of the local university. It turns out they were also pretending to be Scottish, though my guise was a little more convincing. They were overjoyed at meeting a genuine Scot and immediately welcomed me into their fold with a rendition of that song that all bagpipers play - you know, the Scottish sounding one. Minutes later the scene evolved into a group photo at the end of the carriage, much to the delight of our co-passengers, some of whom almost smiled.

Technically it wasn't entirely a lie. I just neglected to leave the fraction "1/8th" in between the words "I'm Scottish". Either way, it made for a great train journey and a springboard into the woods.

We pulled into the station and unloaded our baggage onto the platform with other revellers dressed in vivid clothing and sporting braids, assorted wacky headwear and mostly practical footwear (wackiness only goes so far). Bending down to adjust my pack straps I saw the approaching boots of yet another platform salesman. He started his ineligible spiel and I let rip an irritated "Nyyyyet nyyyet". Raising my eyes I saw said platform seller was not a platform seller at all but instead a fully suited & booted member of the Russian 'Milita' (police), whose nose I had put somewhat out of joint with my dismissiveness.

Thoughts of Gulags rushed through my mind as Nastia cajoled Seargent Sergei into not beating the west out of me with his truncheon. Good old Nastia. Big Sergei wasn't completely sated however and my gobbiness earned me the first passport check of the trip. For those not aware, you must carry it with you at all times or face a fine or worse if you are empty handed upon request. I hadn't invisaged a great deal of police presence in the wilderness of the Russian outback but had luckily brought it along at the last minute, though the cold grip of fear in my stomach reminded me of my unregistered status in the Motherland.

So, the story goes - and get comfortable - this is Russia my friends, land of excessive paranoia, paperwork and insatiably bad customer service. You must register within 3 days of arrival in each city. Various differing advice (versions from friends, websites and finally - to my fist-biting frustration - official bodies differed) had by this juncture thrown me into a typhoon of confusion. After a wasted day of walking round with Sasha, talking to different faces which read "Imperialist, I wouldn't help you if you were on fire, and offering payment" I muttered a few choice words and decided on a 'leave it til Moscow' tack. Mainly because some cities offer no proof of registration - just their word, some stamp the back of your migration card and some give you a separate piece of paper which resembles a stencil of a cheque drawn by a bored child. The right arm doesn't know what the left is doing, no-one knows the official line and it seems to be just another way of throwing roubles in the neverending beurocratic mulch.

Thankfully, police guy handed me back my document after light xenophobic banter. Within seconds we were whisked away to the waiting woods in a 'taxi' (clapped out Lada). 20 minutes later I had befriended the walky talky chap sitting next to me in the back seat and I was methodically repeating "warning, the doors are closing" in Russian to the other cabbies in the area. Nastia ordered the cab to stop and we got out surrounded by tall, silhoueted pine trees...

Art

Time for the inevitable cultural tour of museums, the first, The Russian Museum, was my favourite. It's dark landscapes awed and inspired and I strolled through with Ivan, my wacky, intelligent host. The prize of favourite work here went to Victor Vanetsov with his piece, A Russian Knight at the Crossway. Other artists that made the Brown shorlist (Granny get your art books out!) included Feodor Vasiliev (Morning), Ivan Aivazovsky (The 9th Wave), Nikolay Dubovskoy (Calm Before The Storm), Konstantin Bogaevsky (Ships. Evening Sun) and especially Nikolai Roerich with his masterpiece, The Waiting One.

Next day, next museum. Some little green shack named the Hermitage was on the horizon. You need more than the half a day I set aside, however after getting in free due to Ivan's quick flash of his out of date student card I wasn't too miffed. All I had to do now was bypass face control with my Russian ticket (tourist tickets = 500 roubles, Russian citizen ticket = 50 roubles, Russian student = 0 roubles) by looking Russian. I drew close and set my lips to a miserable grimace and my eyes to the thousand yard stare that so many comrades here have developed. This seemed to do the trick and I was soon waltzing round the lavish interior of arguably Europe's finest collection, chilling with my main men Picasso and Michelangelo, not to mention being bowled over by von Hess' sprawling battle scenes. I have a list of other artists whose work I found palatable, but surprisingly not as many as the previous day.

Ivan, a fellow film lover finished my day in grand style by finishing our day in perfect style and Dom Kino, the English Speaking (Cyrillic subtitles) cinema for a Closer (bother) Be Kind, Rewind (don't) double header. The following 2 days were my last in the fine city and I settled down to finishing off sites I had not seen and words I had not read. It was then I received the thrum of SMS against my leg...

Wednesday, 4 June 2008

Giddy giant

cntd. from SPB 2: That evening we gathered in the flat to enjoy an evening of champagne and football (Zenit St Petersburg vs Bayern Munich). While Olga was determined not to let the party descend into a football evening, a few die-hard Zenith fans had other ideas and I joined their throng as they smashed their way to a completely unexpected 4-1 victory (hence fingers in this photo days later). Merry didn't quite define it, and from this moment on the party was only going one way. The night bounced into day on a carriage of fine acoustic Russian sing-a-longs, numerous games of twister, ballroom dancing (I need practice)... and more champagne.

The following day I again changed hosts and met Ivan, an astute guy living a tram-ride away from Komandansky Prospekt Metro station. Over the next few days he introduced me to the delights of Russian junk food, including fried pilmeni, shavierma and pushka. We watched films at the English (Ah English - how I miss your sweet, understandable sound) with Russian subs cinema, enjoyed off-the-wall art galleries (photos of naked oriental women covered in ketchup) and the incredible SPB flea market - Si you would love this, and a must for all who visit.

Based in the outskirts this huge bargain metropolis of dusty stalls manned by equally dusty babushkas and elderly gents sold a variety of Soviet tat which I could have spent a fortune on given the time, rucksack space and rubles. I contented myself with a few badges and some old soviet-starred military shoulder straps to decorate my rucksack. And yes, Chruz even in this desert of rusty treasure I managed to find the long arm of Linux (got shouted at for taking this photo by miserable store owner).